In the meantime, the Lipkies-Velasco family adapted William Shakespeare's Othello as Huapango (2004). Las delicias del poder was such a success that María Elena planned another India María movie, but the project was eventually postponed. It was directed by her son and produced by her daughter, Ivette Lipkies. She wrote the screenplay for her penultimate screen comedy, Las delicias del poder (1999), a political satire in which she plays twin sisters.
After a long absence from the small screen (she had been blacklisted for many years for joking about the expensive vacations of Mexican presidents), La India María came back with her own sitcom, ¡Ay María qué puntería! (1998), and several guest appearances. Six years later, she found theatrical success reprising her India María role in the stage comedy México canta y aguanta (1994), for which she won the Mexican Theatre Critics Association's Celia Montalván Award. Her son, Iván Lipkies, produced her first independent feature film, Ni de aquí, ni de allá (1988). Matouk gave her more artistic freedom and produced El coyote emplumado (1983) and Ni Chana, ni Juana (1984), the first India María movies she directed. In the early 1980s, María Elena signed a new contract with Antonio Matouk. vuela! (1982), her final collaboration with Fuentes. She won Mexico's equivalent of the Golden Globe Award for her performance in ¡El que no corre. Her character travels to the US for the first time in Okey, Mister Pancho (1981). She flies a helicopter in Sor Tequila (1977), is seen as a good luck charm in Duro pero seguro (1978), and masquerades as a rich society woman in La comadrita (1978). La India María often finds herself in zany situations. La India María continued to triumph at the box office with her adventures as a vendor of healing water in Pobre, pero honrada! (1973), a troublesome nun in La madrecita (1974), a mayor of a small town in La presidenta municipal (1975), and the guardian of a rich Shih Tzu dog in El miedo no anda en burro (1976). María Elena returned to television as the main star and host of the variety program Revista musical Nescafe (1972). Fernando de Fuentes hijo produced her first blockbuster, Tonta, tonta, pero no tanto (1972).
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Her frequent appearances in TV shows such as Domingos espectaculares (1969) and Siempre en Domingo (1970) led to a film career. The highly amusing character successfully transitioned to television. María Elena's new comedy sketch based on those women was overwhelmingly popular at the Teatro Blanquita. La India María, the character that finally made her a star, was inspired by the indigenous street vendors who sold fruit on San Juan de Letrán Avenue in central Mexico City. Around the same time, she married actor Julián de Meriche and made her debut on the big screen with small roles in México de mis recuerdos (1963), Los derechos de los hijos (1963), and El revólver sangriento (1964). She then started working as an actress on stage, playing the serious counterparts to comedians Fernando Soto "Mantequilla", Adalberto Martínez "Resortes", Manuel Medel, and José Jasso. The beautiful and curvaceous María Elena began her career as a dancer in variety shows. María Elena and her younger sister, Susy Velasco, eventually found work in show business.
Velasco decided to stay in the Mexican capital. Her family moved to Mexico City to get medical help for her father, who became seriously ill. María Elena Velasco Fragoso was born in the Mexican city of Puebla. She also had her own comic book, recorded a couple of albums, starred in a stage show and a sitcom.
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La India María, the hilarious, likable indigenous woman she created and played, is the most successful female movie character in the history of Mexican cinema her comedies broke box office records and remain widely popular. Multitalented María Elena Velasco is Mexico's greatest comedienne.
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